M. Jennifer Wilson is a mid-thirties radio announcer living in Glasgow. She shares a house with Art and Liz, two typical Scotland thirtysomethings, but her life takes a drastic turn with the arrival of her new housemate, an elusive man who glows in the dark and can’t remember his name. He soon reveals himself to be none other than Savinien Cyrano de Bergerac, the famed writer and duelist of eighteenth-century France, and what unfolds is a love story stark and surreal, tender and humane.

Exposing and exploring the sinuous undercurrents of violence, anguish and love, A.L. Kennedy examines the nature of the individual, both in isolation and society, as characters define and deny their chosen identities. While showing us the unlikeliness of intimacy and the impossibility of communication, Kennedy also reveals the subversive liberation of impotence, the humour of discomfort as human beings chafe together, the crazed claustrophobia of the family and the wildly funny results of an eccentricity unleashed.

Mary Margaret Hamilton was educated in Scotland. She was born there too. These may not have been the best possible options, but they were the only ones on offer at the time. Although her father did his best, her knowledge of life is perhaps a little incomplete. Margaret knows the best way to look at the moon, and how to wake on time.

The heroes and heroines of Night Geometry and the Garscadden Trains, A. L. Kennedy’s first collection of stories, are small people – the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death… and the ability of public transport to affect our lives.

Nathan Staples is consumed by loathing and love in roughly equal measures. Frustrated by his life and the way he lives it, he is sustained only by his passionate devotion for his estranged wife and their teenage daughter, Mary. When Nathan contrives to have Mary invited to the island where he lives in retreat, he sets in motion the possibility of telling her he is her father, and becoming whole and complete and alive again.