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INDELIBLE ACTSThe twelve stories
in Indelible Acts are variations on a theme of longing - the unassuagable
human need for contact, for completion, for that most fugitive gift
of all: A queue outside a cheese shop leads to a thrilling infidelity; a crematorium funeral exposes a love gone sour; a foreign hotel room becomes a diorama of despair as physical sickness becomes a metaphor for incurable grief. In the title story, two lovers confront their lusts amid the ruins of Rome; in 'A Bad Son' a young boy from a damaged home searches for some kind of peace in the newly fallen snow. Each story in
this mesmeric new collection is an epiphany, a revelation: eloquent,
excoriating - saved from bleakness by humanity and humour - unflinching
and unwavering in its scrutiny of desire and loss. Justly celebrated
as one of the most original young writers at work today, A.L. Kennedy
writes stories of such intimacy, such aching honesty, that they are
impossible to forget. |
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| Reviews: Most of the reviews for “Indelible Acts” were distressingly favourable, although many were also rather scary – which is why the review categories here differ slightly from those listed for previous publications. A review (in French) of AL Kennedy's Indelible Acts is on line : http://www.sitartmag.com/alkennedy.htm |
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| GOOD | “…rich
originality and humanity of a writer, still in her thirties, who is becoming
on of Britain’s very best.” “This
is Kennedy’s fourth collection and again she shows herself to be
a mistress of her art.” “It is
Kennedy’s assured humour and her psychological astuteness that
rescues (sic) this immaculately crafted collection from a well of utter
desolation.” “And the
humour is magnificent.” |
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| BAD | “As always with Kennedy, the intense craftedness
is occasionally oppressive…” “If Kennedy wants to avoid becoming the next generation’s
queen of hopeless longing, her characters need to get out more.” |
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| SILLY | “Not all the men have committed adultery…” “…Kennedy has suffered many years of back
and neck pain – a fact that may have helped shape an artistic
sensibility in which emotions are often manifested through physical
symptoms.” “A.L.Kennedy
lives on the edge and so do her characters.” “…it is better
to have loved and suffered than never to have loved at all.” “Among her gifted generation of
Scottish writers, she stands supreme, she stands alone.” |
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| SCARY | “A.L.Kennedy
has long been established as an extraordinary writer of ordinary agonies.” “Kennedy writes with flaying precision about the
things we won’t often admit to ourselves, let alone speak aloud.” “Kennedy reigns
supreme in describing the terror and fascination of self-annihilation,
whether corporeal or emotional.” “Couples torment
and betray one another as a matter of course.” “It’s a brilliant, but extremely painful read,
sparsely populated with chokingly desperate characters. If you’re
feeling at all emotionally precarious, it could tip you right over
the
edge. But if you think you can keep your balance, these 12 stories
are the most devastating you will read this year. ” “Many of these people fear judgement and punishment;
there is an interesting Calvinism in Kennedy’s world view which
she exploits to advantage.” |
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| CONTRADICTORY | Books of stories are, of course, especially plagued by contradictory reviews – usually picking out one story that A loves and B detests and so forth. Or you can always argue about forms… And people wonder why writers don’t find reviews entirely helpful.
“Her third person novels… seem
farther distanced, producing a billowing sense of shapelessness,
a drag from
which her stories
never suffer.” “AL Kennedy’s last novel… was
a huge epic of a book. Indelible Acts is a slim volume of short stories,
but
equally as satisfying.” “…in A Wrong Thing … I found it hard
to find any sympathy, let alone interest…” “A Wrong Thing is
a virtuoso slice of writing about an obsessive, thwarted by illness and
paranoia…” |
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